The Art Perspective provides a visual and audio forum for artists to exhibit their art and present exciting responses to major themes of our day. This edition on Girls, Women & Sports highlights the work of Karen Shaw, a New York-based artist exploring her feminist reactions to what she sees as the male-dominated world of sports. Click on “Play" to view the art and hear audio descriptions by Karen Shaw about her work. I welcome feedback from online viewers: email to LindaStein@ontheissuesmagazine.com
Karen Shaw uses images and materials from pop-culture to address the sexism prevalent in the sports arena. Working in two and three dimensions, she invokes her "power” as an artist to feminize the macho wardrobe of the male athlete. The finished product is a mixture of masculine and feminine fashion that transcends typical gender boundaries.
Through her work, Shaw uses humor and passion to express her desire to see more girls and women represented in sports, and given the respect and celebration they deserve.
Shaw has been showing her work professionally for more than 35 years, including solo and group exhibitions in Paris, Germany, Switzerland and Guatemala, as well as across the United States. In New York, she has shown with Pavel Zoubok Gallery and Fredrieke Taylor Gallery.
Shaw has been awarded an NEA artist fellowship and an individual artist's grant from the New York Foundation for the Arts and received residency grants in the south of France at the Karolyi Foundation. Her work is included in several museum collections including the Herbert Johnson Museum at Cornell University in Ithaca NY and the Israel Museum in Jerusalem, as well as the Vera List Gallery of the New School and the Portland Museum of Art in Portland Oregon.
She has taught drawing and painting at the University of Tennessee, Knoxville and has twice been a visiting artist at Princeton University in New Jersey. For the past 37 years, she has been the senior curator at the Islip Art Museum and Carriage House, East Islip, NY.
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For years, Frances Jetter has made linocuts with political subject matter, focusing on disarmament, labor rights and human rights, about which she is passionate. Weapons seem especially horrific and intriguing to her. The artist believes that no armor can make people safe, and the fragility and mortality of human beings is at the center or her work.
Mary Miss, who has founded the City as Living Lab, which provides a framework for making issues of social and environmental sustainability tangible through collaboration and the arts.
Judy Chicago (born 1939) is a feminist artist, educator and author whose career spans almost half a century. She is known as one of the founders of the Feminist Art Movement, creating in the early 1970s the pioneering Feminist Art Program at Fresno State College (now California State University), which became a vehicle for intellectual stimulation and social change, influencing generations of women.
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Michelle Stuart seeks to educate with her art. She is in search of a visual language to express nature’s more elusive aspects, along with the fragility of existence. Over her 50-year career, Stuart has drawn upon aspects from the natural world -- cycles, forms, colors -- while studying myriad cultures and histories. View our mini-retrospective in the Spring 2010 edition of On The Issues Magazine.
In keeping with the topic of Passion, Freedom & Women, Miriam Schapiro is a groundbreaking artist who, in her 60-year career, stepped out of the mold to fight for women’s artistic freedom and the democratization of art in the Winter 2010 edition of On The Issues Magazine.
Faith Ringgold’s illustrated story, How the People Became Color Blind, with Ringgold herself reading the text that accompanies the drawings in the Fall 2009 edition of On The Issues Magazine.
Tammy Rae Carland: An artist tests identity by performing her father and mother in the Summer 2009 edition of On The Issues Magazine.
Judith K. Brodsky addresses discrimination against women in male arenas in the Spring 2009 edition of On The Issues Magazine.
New York artist Joyce Kozloff, an originating figure of the Pattern and Decorative movement, in the Winter 2009 edition of On The Issues Magazine.
Martha Rosler, known for placing unsettling images in familiar places, in the Fall 2008 edition of On The Issues Magazine.
Suzanne Lacy's 1974 Project on Prostitution in the Summer 2008 edition of On The Issues Magazine.
Linda Stein’s sculpture envisions empowerment for women with HIV-AIDS in the May 2008 edition of On The Issues Magazine.
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